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b. 343

composition: (Op. 4), Sonata in C minor, Mvt IV

f1(2) in A, literal reading

f1(2) in GE (→FE,EE,IE)

f1(2), our suggestion

f1(2), our alternative suggestion
..

In A there is only a  to the middle note (a1) of the 1st R.H. chord, which makes us consider the outermost notes f1-f2. In GE (→FE,EE,IE) it was considered an oversight of the accidentals belonging to the current key (sharps to f1 and f2), and they were added. According to us, both versions are stylistically possible and could be authentic, hence we provide both, making it clear that the accidentals clarifying the pitch of these notes were added by us (in both cases).

category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Corrections in A , GE revisions

b. 343-344

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A in the L.H. part there are no naturals to e and a1 in bar 343 and to B in bar 344. The patent inaccuracies were corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 343

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In EE the last quaver is an f, which is a mistake.

category imprint: Interpretations within context; Differences between sources

issues: Errors in EE , Terzverschreibung error

b. 343-344

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

 in GE (→FE,EE,IE)
..

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins

b. 343-344

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions