



b. 344
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add cautionary naturals to g2 and f2. category imprint: Editorial revisions |
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b. 345
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composition: Op. 39, Scherzo in C♯ minor
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In EE, GC and FE there is no category imprint: Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
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b. 345-347
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composition: Op. 39, Scherzo in C♯ minor
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A correct text of LH in these three bars is a result of revisions in FE2 and GE2. An error in b. 345 (repetition of g
category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , FE revisions , Errors of GC |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, due to the absence of traces of corrections performed in print, a possible Chopinesque proofreading of FE (→EE) is less likely than a mistake of the engraver in this case. Therefore, in the main text we give the undoubtedly authentic version of A (→GE). However, from the musical point of view, the version with g1 is certainly not inferior to it. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |