|
b. 468-476
|
composition: Op. 31, Scherzo in B♭ minor
..
In A the staccato dots at the beginning of b. 468 and 476 are quite high above the relevant octaves. It could have been the reason for their omission in FE (→EE). category imprint: Differences between sources issues: Errors in FE |
||||||||
|
b. 468
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we add cautionary naturals before the L.H. octave. The marks were also added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||||
|
b. 469-477
|
composition: Op. 39, Scherzo in C♯ minor
category imprint: Differences between sources issues: Errors in FE |
||||||||
|
b. 469-474
|
composition: Op. 21, Concerto in F minor, Mvt III
..
No dashes after cresc. must be an inaccuracy of GE1 (→FE→EE). Their omission in GE2 in bars 473-474 is most probably a mistake, too – the bars open a new line of text in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
||||||||
|
b. 469-472
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Although Chopin returned to double slurs in the bass (cf. bars 430-433) in the next bars, in the main text we preserve single slurs in this place, since the difference seems to be intentional, however, it is not easy to indicate what performance detail could be related to this difference in notation. category imprint: Differences between sources issues: GE revisions |
in 
