Issues : Errors in EE
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b. 16
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composition: Op. 16, Rondo in E♭ major
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The missing accent in EE1 (→EE2) is most probably an oversight. The mark was added in EE3; however, it was given the form of a short accent over the L.H. chord (the accent in FE (→GE) is placed under the a category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 21
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composition: Op. 16, Rondo in E♭ major
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The hairpin placed in FE (→GE) is imprecise: it ends at the level of the 3rd quaver in the bar. We suggest prolonging the mark to the end of the phrase. The engraver of EE1 (→EE2) completely overlooked the hairpin. It was only just the reviser of EE3 that added it (over the R.H.). category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Errors in EE |
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b. 49
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composition: Op. 16, Rondo in E♭ major
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The f3 note, present in FE (→GE,EE) as the 6th semiquaver of the bar, interferes with the regularity of the figuration and is most probably erroneous. It is confirmed by a most probably Chopinesque correction in FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , Annotations in FEJ |
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b. 55
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composition: Op. 16, Rondo in E♭ major
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We add pedalling, overlooked probably by the engraver of FE or Chopin in [A]. The need for marks in this place seems to be obvious due to the harmonic change in the middle of the bar. There is a similar situation in bar 63. category imprint: Editorial revisions issues: Errors in FE , Errors in EE , Errors in GE |
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b. 60
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composition: Op. 16, Rondo in E♭ major
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The engraver of EE overlooked the pedalling markings in bar 60. category imprint: Differences between sources issues: Errors in EE |
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