Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 468

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 468

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add cautionary naturals before the D-d ​​​​​​​octave.

category imprint: Editorial revisions

b. 468-469

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→GE1GE2)

Short accents in EE & GE3

Long accents suggested by the editors

..

In the main text, we suggest adding long accents after analogous bars 460-461 and 456-457 and 464-465. Accents (short) were added already in EE as well as in GE3.

category imprint: Editorial revisions

issues: Long accents , EE revisions , GE revisions

b. 468

composition: Op. 11, Concerto in E minor, Mvt III

Longer slur in FE (→EE)

Shorter slur in GE

..

The shorter slur in GE must have been an arbitrary decision, perhaps resulting from a comparison with analogous bar 460.

category imprint: Differences between sources

issues: GE revisions

b. 468

composition: Op. 31, Scherzo in B♭ minor

No indication in A (→FEEE)

sempre  in FC (→GE)

..

In the main text we include the sempre  indication entered by Chopin into FC (→GE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC