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b. 341

composition: (Op. 4), Sonata in C minor, Mvt IV

No mark in A

Wedge in GE (→FE,EE,IE)

..

The wedge was added in GE (→FE,EE,IE), probably by analogy with bar 345. We do not include it in the main text, as the majority of the analogous bars do not contain staccato marks.

category imprint: Differences between sources

issues: GE revisions

b. 341-346

composition: (Op. 4), Sonata in C minor, Mvt IV

Short accents in sources

Long accents suggested by the editors

..

In the sources the marks in bar 341, 345 and 346 are provided with the form of short accents. However, the comparison with analogous bars reveals that in each of the two sections based on similar motifs (bars 162-171 and 293-312) Chopin most probably meant the same type of accent, which is long accent. In the first fragment there are 5 accents, 3 of which are clearly long, one is short, while one is ambiguous. In the other section out of 4 accents 2 are long, one is short, and one is ambiguous. Due to the above, in the main text we suggest long accents also in the discussed bars.

category imprint: Editorial revisions

issues: Long accents

b. 342-344

composition: Op. 21, Concerto in F minor, Mvt III

No marks in sources

Staccato dots suggested by the editors

..

We suggest adding staccato signs in a similar context in bars 342 and 344 after the dots in the L.H. in bar 348 written in A.

category imprint: Editorial revisions

b. 342-348

composition: Op. 11, Concerto in E minor, Mvt I

Accents in FE

Accents in GE1 (→GE2)

Accents in EE

Accents in GE3

Accents suggested by the editors

..

The musical sense requires that the accents featured in bars 342, 344 and 346-348 concern both hands, which was, however, marked with separate accents in FE only in bars 342 and 347. In GE1 (→GE2), this notation was repeated, except for bar 344, in which the accent (long) was placed between the staves, thus, it applies to both hands. In EE and GE3, accents for the L.H. were added in all the places where they were absent. In the main text, we order and unify the inconsistent and most probably inaccurate notation of FE, placing one accent between the parts of both hands in each of the five places (cf. the notation of  marks).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 342

composition: Op. 2, Variations, complete

in A

cresc. in GE (→FE,EE)

category imprint: Differences between sources

issues: GE revisions