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b. 344-346
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composition: Op. 16, Rondo in E♭ major
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In FE, the wavy lines next to the trill marks are short. We consider it to be an inaccuracy of notation – the need to trill throughout the entire value of the note seems to be obvious in this context – and extend the wavy lines in the main text accordingly. In GE and EE, the wavy lines are completely absent. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 344-346
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composition: Op. 16, Rondo in E♭ major
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The category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 344
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composition: Op. 31, Scherzo in B♭ minor
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The staccato mark in A, despite its smallness, is clearly prolonged (vertically). Both Fontana in FC and the engraver of FE regarded it as a wedge. GE1 and EE changed it to a dot, which can be considered acceptable, taking into account the fact that both passage E major sections feature only dots except for this place, including in analogous b. 438 & 446. GE2 (→GE3) did not include the mark, which could easily be considered an oversight if it were not for the dot in analogous b. 446, which was also left out. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , EE inaccuracies , Wedges |
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b. 344
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add cautionary naturals to g2 and f2. category imprint: Editorial revisions |
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b. 345
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composition: Op. 39, Scherzo in C♯ minor
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In EE, GC and FE there is no category imprint: Differences between sources issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , Inaccuracies in GC |
in 
raising a2 to a
2. The accidental was added in