Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 467

composition: Op. 31, Scherzo in B♭ minor

..

In some editions the whole-bar rest was specified with the digit 1 – above each of the staves in GE1 and EE and between the staves in GE3.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 468

composition: Op. 21, Concerto in F minor, Mvt III

No markings in sources

Pedalling suggested by the editors

..

There is no apparent reason to suggest performing this bar without pedal the fourth time it occurs. Therefore, in the main text we suggest adding markings after the previous identical bars.

category imprint: Editorial revisions

b. 468

composition: Op. 21, Concerto in F minor, Mvt III

No sign in A (→GEFEEE1EE2)

Arpeggio in EE3

Arpeggio sign suggested by the editors

..

We suggest adding an arpeggio mark in the main text.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 468

composition: Op. 21, Concerto in F minor, Mvt III

category imprint: Differences between sources; Source & stylistic information

issues: EE revisions , GE revisions

b. 468

composition: Op. 16, Rondo in E♭ major

..

In FE (→GE), the octave doubling of the E​​​​​​​ note is written in an abbreviated manner with the help of 8.

category imprint: Differences between sources

issues: EE revisions , Abbreviated octaves' notation