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b. 344

composition: Op. 21, Concerto in F minor, Mvt III

Dotted rhythm in A

Quavers in GE (→FE→EE)
..

The dotted rhythm in A is the original version (cf. analogous bar 20), left here by Chopin, perhaps unintentionally. Therefore, the quavers in GE (→FE→EE) may be a result of Chopin's proofreading, although the absence of visible traces of performing changes in print allows us to consider a possible mistake of the engraver.

category imprint: Differences between sources

issues: Authentic corrections of GE , Omitted correction of an analogous place

b. 344

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before a1.

category imprint: Editorial revisions

b. 344

composition: Op. 21, Concerto in F minor, Mvt I

f1 in A (→GE)

a-f1 in FE (→EE), contextual interpretation
..

The addition of a in the proofreading of FE (→EE) is undoubtedly a Chopin improvement (it can be that Chopin corrected his own oversight in A). There is no extending dot next to this note, which, regardless of the reason, has to be considered an inaccuracy in this context.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Inaccuracies in FE , Authentic corrections of FE

b. 344

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add a cautionary  before b2.

category imprint: Editorial revisions

b. 344

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before g2. The addition was introduced already in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions