mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 342

composition: Op. 2, Variations, complete

No slur in AsI

Slur in A (→GE→FE,EE)
..

According to us, the slur in A (→GE→FE,EE) is an element of an earlier version of this place left by inattention or simply a mistake. This is supported by the following arguments:

  • problematic meaning of this slur, placed under the staccato dots – Chopin would often use dots under a slur to mark softly separated portato articulation, e.g. in bars 16, 32, at the end of bars 62 and 63 or in bars 259, 264 and 268; however, they are always between the notes and the slur. The notation used in this case rather points to the intention of replacing the slur with dots;
  • an individual nature of this slur – none of the three similar places (bars 346, 356 and 360) contain a slur;
  • the absence of a slur in AsI, although Chopin entered a number of various performance markings into this four-bar section, including a few in this bar (a R.H. slur, L.H. staccato, dynamic hairpins).

Due to these reasons, in the main text we omit this slur.

category imprint: Differences between sources; Editorial revisions

issues: Corrections in A , Errors resulting from corrections

b. 342-343

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to b. 343 in A, contextual interpretation

Slur from 2nd to 8th quaver in A (literal reading→GE→EE)

Slur from 1st to 8th quaver in FE & IE
..

The A slur does not go beyond the bar line, yet it seems that it was supposed to be led to the d1 crotchet in bar 343, particularly in the face of the unambiguous notation of an analogous slur in bars 346-347. In the editions the slur was ended on the last quaver in bar 342, which is justified by the inaccurate A notation. The earlier starting point of the slur in FE and IE is probably due to the overinterpretation of the GE notation.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in FE , Inaccurate slurs in A ,

b. 342

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A Chopin omitted the accidentals to the R.H. third written on the bottom stave (f-a). They were already added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 343

composition: Op. 21, Concerto in F minor, Mvt III

e2 in A (→GE→FE1→EE)

e2 in FE2
..

In the main text we include the  raising e2 to e2, added by Chopin in the last phase of proofreading of FE2.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 343

composition: Op. 11, Concerto in E minor, Mvt I

..

FE are devoid of staccato dots under the quavers, which must be regarded as a mistake in this context. The marks were added in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions