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b. 138
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composition: Op. 21, Concerto in F minor, Mvt I
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The version of FE (→EE1) is almost certainly a result of an oversight of the engraver, although the lack of Chopin's intervention both in the subsequent proofreading of FE and the pupils' copies is surprising. According to us, in the case of the proofreading of FE1, three changes in the 2nd half of the bar could have distracted Chopin to such an extent that, occupied with developing the details of the notation, he did not notice striking mistakes both at the beginning of the bar and in the next one, while the proofreading of FE2 was only of a random nature. Out of three pupils' copies, only FED bears traces of the 1st movement of the Concerto having been worked on with Chopin, so the lack of corrections is nothing particular, especially that also there Chopin took care of correcting mistakes in immediate vicinity (in bar 139). category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 138-140
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composition: Op. 21, Concerto in F minor, Mvt I
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Adding slurs in the L.H., modelled after the recapitulation (bars 286-288), is a deliberate revision of EE, in which sempre legato, added in FE, was omitted at the same time – see the adjacent note. The English editor would arbitrarily add slurs also in other pieces by Chopin, e.g. in the Nocturne in D category imprint: Differences between sources issues: EE revisions |
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b. 138
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composition: Op. 21, Concerto in F minor, Mvt I
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Chopin added the pedalling in the proofreading of FE (→EE). It is a third addition – next to the tie of e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 138
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composition: Op. 21, Concerto in F minor, Mvt I
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Both accents in A are typical long accents, which was not reproduced in the editions. Moving the first under the 3rd quaver is almost certainly a mistake of the engraver of FE (→EE), who adapted this half of the bar to the adjacent ones. In the main text we move the first accent over f category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 138
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FEH |
2 in 
raising d1 to d
1 was overlooked. The patent mistake was corrected in the remaining editions. The mark was added also in