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b. 138
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The version of AI is original and most probably connected to the original version – except for the top voice – of the R.H. part. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 138
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composition: Op. 23, Ballade in G minor
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In A, the slur at the end of b. 137, which ends the line, clearly indicates that it should be continued, yet in b. 138 a new slur begins. This very frequent inaccuracy was interpreted by FE (→GE,EE) as a continuous slur. In the main text we suggest a different solution, since in b. 138 a new theme of the Ballade begins. category imprint: Graphic ambiguousness; Differences between sources |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In A, there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , FE revisions |
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b. 138-140
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composition: Op. 23, Ballade in G minor
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In FE, the bass clefs at the end of these bars and the treble clef after e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 138
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composition: Op. 23, Ballade in G minor
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Unlike in the case of the agogic markings in b. 125 and 136, it is difficult to find a justification for a possible abandonment of the scherzando indication. Therefore, we include it in the main text; we signalise its absence in the principal source by using brackets. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Authentic corrections of FE |
restoring b
2 in b. 138 and in the next two, which are marked in an abridged manner as a repetition of this bar. The mistake, typical of Chopin, was corrected by 
