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b. 138-139
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composition: Op. 11, Concerto in E minor, Mvt I
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Atut ends in bar 138 with a mark indicating the place where it is incorporated into the main base text of FE (lost), which was most probably an autograph of the entire Concerto in the version for solo piano ([A]), independent or written into a hand-written score. From bar 139 on, there are no manuscripts among the sources of this movement of the Concerto. category imprint: Source & stylistic information issues: Incomplete sources |
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b. 138
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composition: Op. 11, Concerto in E minor, Mvt III
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Not only was the first quaver in GE1 (→GE2) provided with a staccato dot, repeated after FE, but also – erroneously – with an additional crotchet stem. The resulting nonsensical combination was entirely omitted in GE3. In the main text, we give a wedge in this place – see the note on bars 137-140. category imprint: Differences between sources; Editorial revisions issues: Errors in GE , GE revisions |
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b. 138-142
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composition: Op. 11, Concerto in E minor, Mvt III
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Having marked articulation of the sixth ending the passage in analogous bars 130 and 134 twice, Chopin could have considered it to be obvious in bars 138 and 142. In addition, taking into account the possibility of oversights, we suggest wedges in those bars in the main text. The marks were added also in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 138-147
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composition: Op. 31, Scherzo in B♭ minor
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In GE the extended hairpins in b. 138-139 and 146-147 are inaccuracies; they could have resulted from general assumptions concerning the range of such markings. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 138-140
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In both preserved autographs the slur is led to the end of b. 140. The version of GE, in which each of b. 139-140 is provided with a separate slur, most probably corresponds to the notation of [AG], and we give it in the main text as probably being the latest. category imprint: Differences between sources; Corrections & alterations |
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