FE2
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 138

f2 in A (→GE) & EE2 (→EE3)

f2 in FE (→EE1)

The version of FE (→EE1) is almost certainly a result of an oversight of the engraver, although the lack of Chopin's intervention both in the subsequent proofreading of FE and  the pupils' copies is surprising. According to us, in the case of the proofreading of FE1, three changes in the 2nd half of the bar could have distracted Chopin to such an extent that, occupied with developing the details of the notation, he did not notice striking mistakes both at the beginning of the bar and in the next one, while the proofreading of FE2 was only of a random nature. Out of three pupils' copies, only FED bears traces of the 1st movement of the Concerto having been worked on with Chopin, so the lack of corrections is nothing particular, especially that also there Chopin took care of correcting mistakes in immediate vicinity (in bar 139).

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Errors in FE

notation: Pitch

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