Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 1, Waltz in D♭ major
Sources
- Autograph sketch
- Autograph I
- Autograph Caraman
- Autograph Rothschild
- Autograph
- French edition
- First French edition
- Second French Edition
- Dubois copy
- Stirling copy
- German edition
- First German edition of Op. 64
- First German edition of Waltz No 1
- Second German edition of Op. 64
- Second German edition of Waltz No 1
- Corrected impression of GE2op
- Third German edition of Waltz No 1
- Revised impression of GE3Db
- English edition
- Earliest English edition
- First English edition
- Revised impression of WaW1
FE2 - Second French Edition
| Publisher: | Brandus et Cie. |
| Date: | ca 1854-1858 |
| Plate number: | B et Cie. 4743 (1) |
| Title: | 3 Valses || Valse No 1 |
| Dedication: | Madame la Comtesse Delphine Potocka |
New French edition, repeating the text of FE1, with minor inaccuracies. Among them one can mention missing cautionary flats before g
1 in bars 95 and 111 and before e1 in bar 109, as well as minor differences in the slurring. From the editorial point of view, the edition is much less carefully prepared than FE1 – the only rational reason for preparing a new typesetting seems to be high and continuous popularity of the Waltz and wear and tear of printing materials (plates) of the First edition related to this phenomenon.
| Original in: | British Library, London |
| Shelf-mark: | h.473.f.(13.) |