Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 1, Waltz in D♭ major
Sources
- Autograph sketch
- Autograph I
- Autograph Caraman
- Autograph Rothschild
- Autograph
- French edition
- First French edition
- Second French Edition
- Dubois copy
- Stirling copy
- German edition
- First German edition of Op. 64
- First German edition of Waltz No 1
- Second German edition of Op. 64
- Second German edition of Waltz No 1
- Corrected impression of GE2op
- Third German edition of Waltz No 1
- Revised impression of GE3Db
- English edition
- Earliest English edition
- First English edition
- Revised impression of WaW1
EEW1 - First English edition
| Publisher: | Wessel & Co. |
| Date: | IX 1848 |
| Title: | Valse |
We consider the edition performed by the Wessel & Co. company, which had been cooperating with Chopin for several years and published almost all his works in England, to be the main representative of English editions. Due to this reason, in spite of the fact that EEC is earlier, we proclaim EEW1 as the first English edition.
The edition generally reproduces the text of FE1. The exceptions are of confusion character, e.g., no dynamic hairpin in bars 51-52 or revisions, e.g., addition of cautionary signs, e.g., before g
2 in bar 8, 16 and 80, e1 in bar 21, a2 in bar 29.
The most significant change is an arbitrary addition of a 
raising d1 to d1 in bar 48.
Chopin did not participate in the development of EEW1.
| Original in: | British Library, London |
| Shelf-mark: | h.472.(37.) |