Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 64 No 1, Waltz in D♭ major
Sources
- Autograph sketch
- Autograph I
- Autograph Caraman
- Autograph Rothschild
- Autograph
- French edition
- First French edition
- Second French Edition
- Dubois copy
- Stirling copy
- German edition
- First German edition of Op. 64
- First German edition of Waltz No 1
- Second German edition of Op. 64
- Second German edition of Waltz No 1
- Corrected impression of GE2op
- Third German edition of Waltz No 1
- Revised impression of GE3Db
- English edition
- Earliest English edition
- First English edition
- Revised impression of WaW1
AI - Autograph I
| Date: | ca 1847 |
| Title: | Valse |
A two-page, signed autograph with the Vivace indication and precisely marked pedalling. It does not contain any dynamic indications. The reprise is marked as Dal Segno, however, since Fine in bar 36 is clearly written in the 2nd volta, most probably, the Waltz is not shorter from the final version. The beginning of the piece is particularly noteworthy: the melodic line in bars 5-7 is an exact repetition of the one in bars 1-3. Other details also indicate an early stage of shaping of the Waltz's text.
| Original in: | Universitätsbibliothek, Bonn |
| Shelf-mark: | UB 281/2 |
