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b. 655
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In FE, there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals |
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b. 655
|
composition: Op. 11, Concerto in E minor, Mvt I
..
At the beginning of the bar, we add a cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 655
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composition: Op. 31, Scherzo in B♭ minor
..
The versions of FE and EE1 must be erroneous (in addition, FE do not contain a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , Errors repeated in EE |
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b. 656
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the R.H. part, there are no accidentals in the 2nd half of the bar in FE. The necessary sharps were added in GE and EE (in EE1, only before the 7th semiquaver). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 656
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The cautionary sharps before the 1st octave in the L.H. were removed in GE3. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
raising g2 to g
2, which was completed in 
in the main text also before e in the chord in the L.H.
1 & d
before the 3rd crotchet), since a simple scheme, on which this harmonic accompaniment is based, would be distorted, without a sonic explanation.