mUltimate Chopin

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b. 328-329

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur in b. 328 in A

Slur to b. 329 in GE (→FE,EE,IE)
..

Leading the slur to bar 329 almost certainly resulted from a misinterpretation of A by the GE engraver. In A this place is below bars 320-321, and the L.H. part G1-A1 slur present there could be considered an extension to the discussed R.H. slur in bar 328.

category imprint: Differences between sources

issues: Errors in GE

b. 328

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

 in GE (→FE,EE,IE)
..

In GE (→FE,EE,IE) the beginning of the  hairpin was clearly moved towards the beginning of the bar. In this context, it does not influence the performance manner, yet it could suggest, to a certain extent, the range and amplitude of the crescendo.
Similarly, in bar 332.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 328

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic R.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 328

composition: (Op. 4), Sonata in C minor, Mvt IV

..

EE1 erroneously has e1 as the lower note of the 1st quaver. The obvious mistake was corrected in EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 329

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no  before the 3rd third in A (→GE→FE→EE1→EE2). Chopin's oversight is proved by a present both in the cello part in Morch and analogous bar 5. The sign was added in EE3, probably on the basis of the indicated analogy.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors of A