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b. 649

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 649-650

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, there are no sharps raising g2 to g2 (in both bars) and c3 to c​​​​​​​3 (in bar 649). In GE1 (→GE2), the first two were added; the notation in EE and GE3 is fully correct.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 649

composition: Op. 31, Scherzo in B♭ minor

a in A (→FE→EE)

c1 in FC (→GE)
..

Just like in b. 198, of which the discussed bar is an exact repetition, the version of A (→FE→EE) is the original version, changed by Chopin in that bar in FC (→GE).

category imprint: Differences between sources

b. 650

composition: Op. 11, Concerto in E minor, Mvt I

R.H.  in FE

 for both hands ​​​​​​​in GE1 (→GE2) & EE

Longer  ​​​​​​​in GE3

Long accents for both hands suggested by the editors
..

As a result of comparison of the indications of FE in bar 646 and 648-650, we interpret the ​​​​​​​ mark in this bar as a long accent, referring to both hands. The mark was placed lower also in GE and EE. The overspread mark in GE3 results from the actions of the reviser who considered it to be diminuendo only, since he did not figure that it could be an accent; it is possible that he wanted to align that diminuendo with the descending part of the passage.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , Placement of markings , GE revisions

b. 651

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary ​​​​​​​ before e4.

category imprint: Editorial revisions