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b. 658-663
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composition: Op. 31, Scherzo in B♭ minor
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We give the dashes marking the range of cresc. from b. 654 after the Chopinesque entry in FC in b. 207-212, since the discussed bars are a repetition thereof, not written out. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 658-682
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composition: Op. 31, Scherzo in B♭ minor
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In both manuscripts these bars are written in an abridged manner as repetition of b. 207-231. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 658-682
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the pedalling entered by Chopin into FC (→GE) in b. 207-231, of which the discussed bars are a repetition. It is only b. 676-677 that we discuss separately, which contain a probably superfluous pedal change between the bars. category imprint: Differences between sources |
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b. 659
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the visible traces of corrections performed in print prove that this bar underwent a serious, probably multiple-stage, proofreading. However, we did not manage to decipher the original text, although some of the removed elements are quite clearly visible. The erroneous version of GE – category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Errors repeated in GE |
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b. 659-660
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 208-209, in the main text we add long accents after b. 200-201. The addition – with the use of short accents – was also introduced in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
– probably corresponds to the penultimate stage of the changes introduced in 
from before the 1st chord, generally compliant with the text of the remaining sources, to be the edited text of 
from before b1. None of 
