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b. 447
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composition: Op. 39, Scherzo in C♯ minor
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EE is most probably original. We cannot completely rule out chance omission of the chord elements written out on the bottom stave (a-h second is notated in the same way in the remaining sources).
In the main text we omit the redundant cautionary category imprint: Differences between sources |
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b. 447-448
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composition: Op. 11, Concerto in E minor, Mvt I
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The inaccurate notation of FE does not clearly reveal whether it is a new slur that begins in bar 448 or whether it is a continuation of the previous one. Both interpretations may be considered justified, both from the source (graphic) and musical points of view. In the main text, we adopt separated slurs due to a four-note section beginning in bar 448. The missing slur in EE in bars 446-447 must be a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 447
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composition: Op. 11, Concerto in E minor, Mvt I
..
The last reminder of the characteristic, strictly schematic fingering, written in FEH on a number of occasions in the previous similar figures. category imprint: Differences between sources |
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b. 447
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 447
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composition: Op. 16, Rondo in E♭ major
..
We add cautionary flats in the first half of the bar in the main text. category imprint: Editorial revisions |
3 as it had no practical application.
in 