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b. 445-446
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composition: Op. 21, Concerto in F minor, Mvt III
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It is difficult to assume that Chopin actually wanted to end the slur before the 2nd beat in bar 466. The slur is probably unfinished, perhaps to avoid the crossing with the octave sign. The slur of GE (→FE), led further, was most probably corrected, probably by the very Chopin, which confirms our assumptions that the slur of A is inaccurate. In EE, each of these bars is encompassed with a separate slur, which can be explained by an inaccurate interpretation of FE or a revision, e.g. by analogy to bars 425-426. category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 445-446
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest a slur to the beginning of bar 446 due to the consistent slurring of the analogous phrases in bars 416-424. A similar change was introduced already in EE (in a simplified, inaccurate manner, i.e. the ending of the slur was added in bar 446, which opens a new line, leaving the slur reaching the last semiquaver in bar 445 unchanged). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 445
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composition: Op. 31, Scherzo in B♭ minor
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There is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 446
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composition: Op. 39, Scherzo in C♯ minor
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Before the upper note of the second octave in GC there is no natural lowering G category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
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b. 446-448
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we reproduce the elaborate notation of A. category imprint: Differences between sources issues: Inaccuracies in FE |
raising d to d
in 
