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b. 306-310

composition: Op. 49, Fantaisie in F minor

sempre più mosso - - in A

sempre più mosso - - - in GE

No indication in FE (→EE1)

sempre più mosso in EE2

..

As was the case with stretto in bar 290 and più mosso in bar 294, sempre più mosso was also a later Chopinesque addition to A (→GE). On the basis of GE1, it was also added by EE2. None of these editions reproduced the dashes marking the range of the indication correctly – in GE they were led a bar too far, whereas in EE2 they were overlooked.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Inaccuracies in GE

b. 306

composition: Op. 49, Fantaisie in F minor

..

In FE1 the middle note of the penultimate R.H. chord is an erroneous d2 instead of e2. The mistake was rectified in FE2 (→EE).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 306-310

composition: (Op. 4), Sonata in C minor, Mvt IV

Crotchet a in A

No crotchet a in GE (→FE,EE,IE)

..

In bar 306 and 310 the omission of the fragment of the crotchet stem attaching a on the last crotchet of the bar to the R.H. part was an arbitrary simplification of notation performed by the GE engraver.

category imprint: Differences between sources

issues: GE revisions

b. 306

composition: (Op. 4), Sonata in C minor, Mvt IV

..

As in bar 294, the bottom voice third in A is a semibreve, which is a mistake. It was corrected in GE (→FE,EE,IE). In bar 310 all sources include the correct text.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Rhythmic errors , Errors of A

b. 307-311

composition: Op. 39, Scherzo in C♯ minor

Beginning of the slur in EE & FE

Slurs in GE

..

The slur in GC is clearly too long, especially at its end, which was corrected in GE. For the main text we have adopted complying versions of EE and FE.

category imprint: Differences between sources

issues: GE revisions , Inaccuracies in GC