|
b. 448
|
composition: Op. 39, Scherzo in C♯ minor
..
Similarly to the previous bars (compare bars 433-446) we retain the FE notation with a long accent that seems more appropriate here. category imprint: Differences between sources issues: Long accents |
||||||||
|
b. 448-449
|
composition: Op. 39, Scherzo in C♯ minor
..
No meno mosso in FE does not seem to be the engravers omission. However, it is hard to imagine bars 448-493 to be performed in a different tempo than b. 155 and the following, this indication seems necessary here. And so, for the main thext we adopt the EE and GC (→GE) edition. category imprint: Differences between sources |
||||||||
|
b. 448
|
composition: Op. 21, Concerto in F minor, Mvt III
category imprint: Differences between sources issues: Errors in GE |
||||||||
|
b. 448
|
composition: Op. 11, Concerto in E minor, Mvt I
..
As in analogous bars 452, 456, 458 and 460 the passage in the L.H. is encompassed with a slur, in the main text we suggest adding a slur also in this place. Such a slur was added already in EE as well as in GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
||||||||
|
b. 448
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The only digit written in FEH must determine the same fingering that Fontana indicated in EE in a slightly more detailed way. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
