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b. 448-459
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composition: Op. 31, Scherzo in B♭ minor
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We consider the missing pedalling in these bars to be an oversight of Chopin in A: relevant markings were added both in FC (→GE) and FE (→EE), they are also in analogous b. 346-357. Due to the discrepancies in subsequent sources, b. 452-457 are discussed separately. category imprint: Differences between sources issues: Authentic corrections of FE , Omitted correction of an analogous place , Authentic corrections of FC |
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b. 448
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 449-453
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composition: Op. 39, Scherzo in C♯ minor
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For the main text we adopt - just like with tempo markings - the GC (→GE) version. The differences in the length of crescendo hairpins are of no relevance here, the same applies to their placement (the marking in FE is notated above the upper stave). category imprint: Differences between sources |
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b. 449
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in FE |
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b. 449
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composition: Op. 21, Concerto in F minor, Mvt III
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The apparent wedge of A was inaccurately reproduced in GE1 as a dot. Moreover, it was placed so close to the octave sign that it was then overlooked both in FE (→EE) and GE2. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Errors in GE |
1-e1 in 
in 
is most probably an oversight of the engraver of 
