



b. 184-185
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composition: Op. 49, Fantaisie in F minor
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Our variant suggestion is based on the authentic pedal markings in analogous bars 180-181. In the discussed bars the markings are generally compliant in all sources; it is only in FE (→EE) that the category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE |
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b. 184-186
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composition: Op. 49, Fantaisie in F minor
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According to us, the most likely explanation for the difference in the placement of the E category imprint: Differences between sources; Corrections & alterations |
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b. 184
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composition: Op. 49, Fantaisie in F minor
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It is uncertain whether the difference in the placement of the category imprint: Differences between sources |
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b. 184-185
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include any of the two versions of the inauthentic fingering provided in EE1 and EE2. The EE1 version could have resulted from a mistake, since the fingering of similar motifs with a repeated note points to the reviser's clear preference for swapping fingers in such situations. category imprint: Differences between sources issues: EE revisions |
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b. 184
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text in bars 182-184 we suggest a slur written by Chopin in the respective place in the exposition (bars 4-6). The slurs of the sources end in bar 183. category imprint: Editorial revisions |