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b. 184
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there is a category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 184
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The issue of the presence and the type of staccato marks at the beginning of the bar may be questionable. In A the mark over C may be interpreted as a small wedge or an inaccurate dot; however, it is unclear whether the faint blot over the R.H. chord (to the right of the chord axis) bears any meaning at all. In the main text we assume the existence of two marks, which we reproduce as dots. An alternative solution includes only the unambiguous mark over the L.H., interpreted as a wedge. According to us, the version of the editions devoid of any marks does not comply with the A notation. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Wedges , Inaccuracies in A |
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b. 184
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composition: Op. 12, Variations in B♭ major
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In the main text we add cautionary accidentals – a category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 185-186
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composition: Op. 43, Tarantella
category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 185-193
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composition: Op. 42, Waltz in A♭ major
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category imprint: Differences between sources |
to a in the 2nd chord. The unnecessarily repeated accidental (perhaps written by Chopin earlier than the 
to e
1 and a 
