|
b. 251
|
composition: Op. 19, Bolero
..
We suggest adding staccato dots, the same as in analogous bar 137. The dots are present in GE (perhaps added by Chopin in a proofreading) and in EE (added by the reviser, most probably by comparison with bar 137). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
||||||||
|
b. 251-252
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The slur in GE1 is written ambiguously – the slur at the end of the line of the text (bar 251) suggests continuation, yet in bar 252 the slur runs from the 1st note. The notation of FE (→EE) proves that, without seeing A, the notation of GE1 was interpreted as two separate slurs. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
||||||||
|
b. 251
|
composition: Op. 11, Concerto in E minor, Mvt I
..
There is no indication that the version of GE could be possibly authentic – a comparison with analogous bars 227, 235 and 586 proves that it must be an example of a Terzverschreibung error. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
||||||||
|
b. 251
|
composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
||||||||
|
b. 251
|
composition: Op. 16, Rondo in E♭ major
..
We add a cautionary category imprint: Editorial revisions |
in 
before d2 in the main text.