b. 251
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composition: Op. 43, Tarantella
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In FC3 e2 crotchet is not dotted in RH. category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 251-265
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composition: Op. 39, Scherzo in C♯ minor
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Differences in the extent of dynamic hairpins in bars 252-257 and 260-265 may at least partly result from inaccuracies. We adopt the version of FE as our main text, with some modifications in bars 253-254 and 261-262, as shortening of marks there may have been caused by ends of systems that fell between those bars in FE (the hairpin is longer wherever the relevant bar - such as 245 – is not at the end of the system). category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 251-267
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composition: Op. 39, Scherzo in C♯ minor
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The sources differ with regard to the presence or absence of staccato dots in bars 251, 259 and 267. In our main text we apply the consistent markings of GC. The version of GE is definitely - and that of FE probably - inaccurate. The absence of the dots in EE may be the initial version. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 42, Waltz in A♭ major
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On the 3rd crotchet GE certainly erroneously repeats the previous chord. category imprint: Differences between sources issues: Errors in GE |
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b. 251
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composition: Op. 21, Concerto in F minor, Mvt I
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The clearly long accents of A were reproduced in GE (→FE→EE) as hairpins, whereas in FE (→EE) the first sign actually looks like a long accent and the second one was extended over the entire group of four semiquavers. The changes can be qualified as inaccurate. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |