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b. 249
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composition: Op. 31, Scherzo in B♭ minor
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The missing dots at the beginning of the bar (in both hands) is almost certainly an oversight of the engraver of FE (→EE). category imprint: Differences between sources issues: Errors in FE |
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b. 249-250
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composition: Op. 31, Scherzo in B♭ minor
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When interpreted literally, the slur of A encompasses only the quavers. A comparison with the analogous figures proves Chopin's inaccuracy, corrected already in FE (→EE). The missing slur in FC must be an oversight of the copyist, corrected already in GE1 (→GE2→GE3). category imprint: Differences between sources issues: Inaccurate slurs in A , GE revisions , FE revisions , Errors of FC , Inaccuracies in A |
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b. 249-250
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composition: Op. 22, Polonaise
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In the main text we omit the reminder flats before a category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 250
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composition: Op. 39, Scherzo in C♯ minor
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Absence of the pedal mark in this bar in FE is definitely accidental – not only are such marks present in the other sources, but also FE itself has them in analogous bars 258 and 266. category imprint: Differences between sources |
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b. 250
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composition: Op. 39, Scherzo in C♯ minor
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Absence of the arpeggio mark in EE is probably an error, yet the possibility that it is the first (original) notation cannot be entirely ruled out. category imprint: Differences between sources issues: Errors in EE |
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