b. 196
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composition: Op. 38, Ballade in F major
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In the main text we add cautionary naturals next to the F-f octave in the L.H. category imprint: Editorial revisions |
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b. 196
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we give accents of different length according to FE. The lack of such difference in EE is a typical inaccuracy of Chopin's first editions, and no accents in GC (→GE) is an oversight of the copyist (cf. bar 8). category imprint: Differences between sources issues: Long accents , EE inaccuracies |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there are no naturals raising d2(3) to d2(3). Chopin's patent oversight was partially corrected in EE, by adding a before the chord in the middle of the bar. The second necessary sign was added only in EE3. The absence of signs in GE2 draws attention, particularly considering the fact that a cautionary before f3 was added there. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Omission of current key accidentals , EE inaccuracies , Inaccuracies in A |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary before e2. category imprint: Editorial revisions |
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b. 196
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give the undoubtedly authentic version of A. The version of GE1 must be erroneous, whereas the one of FE (→EE) is most probably wrong, too. category imprint: Differences between sources |