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b. 148-149

composition: (Op. 4), Sonata in C minor, Mvt IV

Long accents in A

 in GE (→FE,EE,IE)

..

In A the  marks in these bars are half the length of the one in bar 147 and are definitely long accents. In GE (→FE,EE,IE) they were considered identical with the mark in bar 147, which, according to us, does not comply with Chopin's intention.

category imprint: Differences between sources

issues: Long accents , GE revisions

b. 149

composition: Op. 43, Tarantella

 
 
..

In GE1, in the chord on the first beat in RH4 there is erroneously notated a instead of c1.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Errors in GE

b. 149

composition: Op. 43, Tarantella

..

We add cautionary  before fin RH. A similar addition was made to EE and GE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 149

composition: Op. 43, Tarantella

..

Almost the whole part of RH in this bar is illegible because of charred corners of the manuscript. We can deduce the content of this and previous bars from FC3EE and GE1. There is no doubt about the pitch of notes as there are no differences in the sources. Only slurs and an irregular pattern of dotting crotchets in the middle voice of the whole part are problematic. In the main text we present a unified version based on b. 153. 

A similar situation pertains to bars 63, 92, 196, 242 and repetitions in bars 108, 157.

 

 

 

 

category imprint: Graphic ambiguousness; Differences between sources

b. 149-150

composition: Op. 39, Scherzo in C♯ minor

No tie in EE

E tied in GC (→GE) & FE

..

EE does not have the tie sustaining E sharp, which is probably an error.

category imprint: Differences between sources

issues: Errors in EE