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b. 337

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we add cautionary  to c1 and f.

category imprint: Editorial revisions

b. 337

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there is no  raising f1 to f1 and  raising a to a. Both accidentals were added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Last key signature sign , Inaccuracies in A

b. 337-338

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to A in A, literal reading

Slur to F in GE (→FE,EE,IE)

..

When interpreted literally, the range of the A slur is musically unjustified (regardless of whether we consider it to be reaching B or A). In the main text we include the interpretation adopted to GE (→FE,EE,IE), most natural in this context.

category imprint: Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions

b. 337-340

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 338

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE (→GE), there are sharps (reminding?) before d2 and fon the 5th semiquaver of the bar. We remove them in the main text, since both notes (f2 and d3) are present in the previous bar. The marks were removed also in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , Last key signature sign