b. 195
|
composition: Op. 2, Variations, complete
..
We add a cautionary before e2 in the main text. The accidental was also added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||||||||
b. 195-196
|
composition: Op. 2, Variations, complete
category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
||||||||||||
b. 196
|
composition: Op. 43, Tarantella
..
In IE and A there is no accent on the first beat of the bar. In IE it may have been omitted but in A this part is illegible due to the charred manuscript, so we cannot be certain whether Chopin notated an accent here or not. We can assume however that in A the accent was notated as it can be found in all the remaining sources. category imprint: Graphic ambiguousness; Differences between sources |
||||||||||||
b. 196-197
|
composition: Op. 43, Tarantella
..
 
category imprint: Graphic ambiguousness; Differences between sources |
||||||||||||
b. 196
|
composition: Op. 43, Tarantella
..
Almost the whole RH part in b. 196 is illegible due to the charred manuscript A. We can deduce it content based on the corresponding b. 212 and FC3. category imprint: Graphic ambiguousness |