b. 197
|
composition: Op. 39, Scherzo in C♯ minor
..
Missing from the sources is the lower note of the L.H. octave, B flat2. As the range of Chopin's piano only reached C1, the addition seems more than justified here. Cf. bar 491 category imprint: Editorial revisions |
||||||
b. 197-201
|
composition: Op. 38, Ballade in F major
..
The L.H. slur added in FE is one of a few elements indicating a perfunctory revision (by the editor, Fontana, Chopin?) of FE1. We give it in the main text because this phrase echoes the beginning of the Ballade, where parts of both hands were provided with slurs by Chopin. category imprint: Differences between sources issues: FE revisions |
||||||
b. 197
|
composition: Op. 38, Ballade in F major
..
In the main text we add cautionary naturals before a and b in the L.H., and a2 and b2 in the R.H. The cautionary naturals were also added in GE1 (before b2), and further ones in GE2 (→GE3) – before a, a1 and a2. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Corrections in A , GE revisions , Cautionary accidentals , Deletions in A |
||||||
b. 197
|
composition: Op. 38, Ballade in F major
..
It is not completely clear whether the staccato mark in A is a dot or a wedge. In the main text we give a dot for despite its irregular shape the mark is similar in size to a dot. That is how it was also understood by the copyist. In EE, FE and GE, probably due to a mistake, the mark was omitted. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Wedges |
||||||
b. 197-199
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
According to us, no accents in bars 197 and 199 can be considered to be an oversight of Chopin – see bars 185-188. category imprint: Editorial revisions |