b. 142
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composition: Op. 21, Concerto in F minor, Mvt I
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In A, the gruppetto written with small quavers fills the 3rd crotchet of the bar. In GE (→FE→EE), small notes started more or less one quaver earlier, which may suggest an erroneous rhythmic layout of the gruppetto. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
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b. 142-143
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composition: Op. 21, Concerto in F minor, Mvt I
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The inaccurate slur of A, when interpreted literally, embraces only the group of small quavers and c2. However, the shape of the slur clearly suggests that it is supposed to reach b1 at the end of bar 142. The slur of GE1 (→FE→EE) is certainly inaccurate, both in terms of the starting moment and the ending. GE2 corrected the ending of the slur only. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 142
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary before c2. category imprint: Editorial revisions |
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b. 142-144
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slur is most probably an oversight in this case, attributed to Chopin or the engraver of FE (→EE1,GE1→GE2), cf. an analogous phrase 4 bars later. The slur in bars 143-144 was completed in EE2 (→EE3), whereas in GE3 – over the entire semiquaver sequence. In the main text, we suggest the latter, provided that the authentic slur could have been led further, perhaps up to bar 146. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 142-144
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering given in EE almost certainly does not come from Chopin, since it is difficult to assume that Fontana could have had such precise, variant indications of the composer at his disposal. The authenticity of the fingering written by a foreign hand in FEH is also questionable. The basic scheme of both fingerings, considering the first variant of the fingering of EE, are in common with each other; the difference applies only to the beginning, which deviates from the scheme in Fontana's version. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |