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b. 113-114
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composition: Op. 11, Concerto in E minor, Mvt III
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A possible oversight of the tie of g category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 113
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a staccato dot over the 2nd quaver in the R.H. after the dots in analogous bars 108-109 and 112. Omission of the mark in the fourth and last appearance of the motif must be considered an inaccuracy. Staccato marks (wedges) are present over the respective notes in bars 112 and 113 in violin I in FEorch (→GEorch). As part of numerous additions of articulation marks in this Tutti, a dot was added also in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 113-114
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composition: Op. 38, Ballade in F major
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Contrary to the R.H. part, the slurs in the L.H. are distinctly separated between bars 113-114 in A (→GC→GE). Nonetheless both FE and EE do not break the slur there, perhaps just after the R.H. slur. However, a comparison with an analogous phrase in bars 137-139 suggests that the continuous R.H. slur is more likely to be inaccurate here. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 113-114
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composition: Op. 31, Scherzo in B♭ minor
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In A there are visible deletions in the L.H. part in both bars. Below the original version: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 113
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composition: Op. 31, Scherzo in B♭ minor
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It is uncertain whether the missing accent in FC (→GE) should be attributed to the copyist's distraction or whether it was added by Chopin in A (along with category imprint: Differences between sources issues: Corrections in A , Errors of FC |
2 repeated in 
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in the next bar) after