AsI - Working autograph of score

Working autograph of score

Working autograph of the 1827 score.

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A - Autograph fair copy

Autograph fair copy

Autograph fair copy used as the basis for the first German edition.

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GE - German edition

German edition

Tobie Haslinger, Vienna, plate number T.H.5489:
GE1 – First German edition, Apr 1830,
GE2 – Corrected impression of GE1, (1833-1838).

Tobie Haslinger, Vienna, plate number T.H.7714:
GE3 – Second German edition, Dec 1839.

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FE - French edition

French edition

Maurice Schlesinger, Paris, plate number M.S. 1312:
FE1 – First French ediyion, early 1833,
FE2 – Corrected impression of FE1, shortly after it.

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FESB - Later French edition

Later French edition

Schonenberger, Paris, plate number S. 606, early 1840.

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EE - English edition

English edition

Wessel & Co, London, plate number (W & Co & No 820):
EE1 – First English edition, 1833,
EE2 – Corrected impression of EE1, 1848,
EE3 – Revised impression of EE2, (1856-60).

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Filiacja źródeł

                    

Additional source

Af – a fragment of an autograph of a non-final edition of the version for 1 piano, probably the first attempt to prepare a fair copy of the entire Variations, which could serve as a basis for the publisher. It consists of one card with 17 bars of the ending of the 3rd variation (bars 191-207) on one side and the beginning of the 5th variation (bars 255-267) on the other. The difference in the degree of refinement of both sides of Af is noteworthy – in variation III the notation is entirely careful, although in the solo part there are no performance markings, while in variation V there are many markings, but some of them are written with visible haste, unfinished or deleted (this especially applies to the 3rd and 4th lines).

Var. III image transcript edited text
Var. V image trans. b. 255-263 edited b. 255-263
trans. b. 264-267 edited b. 264-267

 

Principles behind the main text of
the Variations in B flat major, Op. 2

We take A as our basis, taking into account changes in FE most likely originating from Chopin. We correct uncorrected, probable errors in A according to AsI and Af. The Chopin fingering noted in AsI, which can be considered a complement to the fingering inscribed in A, is given in round brackets.