b. 492
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 493
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, one can see traces of prolongation of the slur, which was originally reaching only the end of bar 493. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 495
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composition: Op. 11, Concerto in E minor, Mvt III
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We add a cautionary before a1 in the main text. The accidental was added also in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 496-497
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composition: Op. 11, Concerto in E minor, Mvt III
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A later start of the slur in GE3, although seemingly justified, is probably contrary to Chopin's final intention. The traces visible in FE prove that the four-bar slur starting from the 1st quaver resulted from proofreading – originally, these bars were provided with shorter slurs, out of which the first one, encompassing bar 496 only, most probably started after the 1st quaver. See also bars 500-503. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: GE revisions , Authentic corrections of FE |
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b. 498-499
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e in the last triplet) features the 4th finger, much less convenient than the first one indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |