mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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b. 509

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→EE,GE1→GE2)

3 accents in GE3

4 markings suggested by the editors
..

The missing dynamic markings seem to be an oversight of Chopin – cf. analogous bar 505. In the main text, we suggest four markings modelled after those we adopted in that bar. The three accents in GE3 were most probably added after bar 508.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 513

composition: Op. 11, Concerto in E minor, Mvt III

2 slurs in FE (→EE,GE1→GE2)

1 slur in GE3
..

The revision of GE3, unifying the slurring of bars 512-513 and 514-515, seems to be superfluous – the first time, the slurs articulate the rhythmic division of the passage's descending part, resulting from its very structure; the second time – they emphasise the unity of the entire virtuoso figure.

category imprint: Differences between sources

issues: GE revisions

b. 514

composition: Op. 11, Concerto in E minor, Mvt III

E tied in FE (→EE) & GE3

E repeated in GE1 (→GE2)
..

The missing tie of E is probably an oversight of the engraver of GE1 (→GE2), corrected in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 514

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: EE revisions

b. 516-517

composition: Op. 11, Concerto in E minor, Mvt III

..

Originally, the slur of the R.H. encompassed only bar 517, which may be observed on the basis of the traces of its proofreading, visible in FE at the beginning of this bar.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE