Issues : Annotations in teaching copies

b. 20

composition: Op. 11, Concerto in E minor, Mvt III

No teaching indication

Synchronization mark in FED

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The simultaneous sounding of the second grace-note with the L.H. chord was marked by Chopin in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Synchronization markings

b. 23-24

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

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The fingering of FEH, which is not written by Chopin's hand, yet it may come from a lesson with the composer, is based on a different idea than the fingering indicated by Chopin in FED. In the further part of bar 24, both fingerings are much more compliant. Fontana's fingering in EE significantly differs from the indications included in FED; in turn, the discrepancy with respect to FEH concerns only the 2nd and 3rd semiquavers in bar 23.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH

b. 24

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No teaching fingering

Fingering based on FED in bar 32 & FEH

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The fingerings entered into FED in this bar and in analogous bar 32 are generally consistent with the fingering entered into those bars in FEH – the only difference concerns  c​​​​​​​3. Due to this reason, in the main text we give a compilation of entries in bar 24 and 32 from both copies (cf. General Editorial Principlesp. 17).

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH

b. 31-32

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

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It is more difficult to decipher the fingering of FEH here, since it was probably corrected. However, it was the fingering written in bars 23-24 that was most probably repeated here, except two overlooked digits.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 32

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No teaching fingering

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In FEH, the fingering was indicated more accurately in bar 24, in FED – here. In the main text, we include it for the first time, i.e. in bar 24.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH