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b. 483

composition: Op. 11, Concerto in E minor, Mvt III

No markings in FE (→GE,EE)

[   ] suggested by the editors

..

In the main text, we suggest adding pedalling in the 2nd half of the bar. Discontinuation of marking pedalling in this place would suggest that the 2nd half of the bar should be performed differently than the first one, which seems to be unjustified in this context.

category imprint: Editorial revisions

b. 483-484

composition: Op. 11, Concerto in E minor, Mvt III

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 486

composition: Op. 11, Concerto in E minor, Mvt III

..

In the L.H. part, FE has only 2 naturals: before c at the beginning of the bar and before g in the 2nd quaver. The missing naturals were added both in GE and EE. A natural before the 3rd quaver was added also in FED and FEH.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FEH

b. 486-487

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 487

composition: Op. 11, Concerto in E minor, Mvt III

..

As in bar 483, FE contains two cautionary accidentals in this bar – a  before f​​​​​​​2 (the 3rd semiquaver) and a  before a on the 4th quaver – added most probably in the last phase of proofreading, since they are absent in GE. GE, in turn, added sharps before g2 and g. The latter was added also in EE, yet the  on the 4th quaver was overlooked. In the main text, we include all the aforementioned accidentals.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE