Issues : EE revisions
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b. 25
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, the third, sixth and ninth semiquavers form a tenor line e flat-d flat-c. That detail was not repeated in GE, which has e flat in all those places. In the proofing of FE (→EE1) Chopin returned to the version of A, the relevant change was also made in GET. The version of GE was introduced into EE3. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Chopin's hesitations , Errors in GE , Accompaniment changes , Authentic corrections of FE , Annotations in GET |
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b. 26-30
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE3 slurs in the left hand were arbitrarily added. Those slurs contradict the authentic slurs given in bar 1 as a pattern to be followed throughout the entire Nocturne. category imprint: Differences between sources issues: EE revisions |
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b. 27
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composition: Op. 27 No 2, Nocturne in D♭ major
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The ties written into FED, FES and FEFr point to Chopin’s probable mistake in A. In EE the tie was probably added by analogy with bars 3 and 47 category imprint: Differences between sources issues: EE revisions , Errors of A |
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b. 28
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composition: Op. 27 No 2, Nocturne in D♭ major
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In GE1 (→FE) the slur beginning in bar 27 has no continuation in bar 28 that opens a new line of text. That obvious mistake was corrected in EE and GE2. category imprint: Graphic ambiguousness issues: EE revisions , Inaccuracies in GE |
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b. 30
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE3 the dynamic hairpins were reversed, probably by analogy with the sign in bar 6. category imprint: Differences between sources issues: EE revisions |
