Issues : EE revisions
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b. 14
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composition: Op. 27 No 2, Nocturne in D♭ major
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The dynamic markings of EE are definitely added by the person proofing that edition, who supplemented some performance markings on the basis of analogous fragments. category imprint: Differences between sources issues: EE revisions |
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b. 15
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composition: Op. 27 No 2, Nocturne in D♭ major
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The edited text is the indisputable version of A (→GE); also EE3 and FEFr have the correct text. The version of FE (→EE1) is most probably erroneous – cf. analogous bar 55. category imprint: Differences between sources issues: EE revisions , Errors in FE , Annotations in FEFr |
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b. 16
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE, this bar opens a new page. The addition of slurs in the left hand was probably meant to remind the performer about the authentic markings given in bar 1 as a model for the entire Nocturne. category imprint: Differences between sources issues: EE revisions |
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b. 21
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE the demisemiquaver beam for the last note of the bar is missing. The error was corrected in EE. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 22
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composition: Op. 27 No 2, Nocturne in D♭ major
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Correcting in FE the incomplete articulation markings for the left hand part taken over from GE1, Chopin changed his concept in that respect. The additions made in EE3 and GE2 are editors' corrections, although they make use of authentic markings. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in GE , Authentic corrections of FE |
before the last but one semiquaver in 
