A
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
compare
  b. 25

A, FE (→EE1), GET

GE and EE3

Chopin's correction of GE is possible, yet it is more likely that both figures in this bar were erroneously made to follow the previously binding pattern in which the third and the sixth note of each figure are the same (A has  e flat as the 3rd and the 12th semiquaver – cf. remark to the last note in that bar). Even if the version of GE had been authentic, Chopin gave it up when correcting GE and GET; this would be the example of his hesitation.

The appearance of the version of GE in EE3 is an arbitrary adjustment made by the editor.

Compare the passage in the sources »

See b. 17

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, EE revisions, Chopin's hesitations, Errors in GE, Accompaniment changes, Authentic corrections of FE, Annotations in GET

notation: Pitch

Go to the music

.