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b. 131
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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GC and the previous impressions of FE (→EE) include the erroneous f as the top bottom note in the chord on the 2nd crotchet. The mistake was revised in GE, adding a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE , Errors of GC |
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b. 132-137
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In this phrase the slur in GC (→GE) begins on the 2nd beat of bar 132, which we consider to be a possible inaccuracy, as in other similar situations, the slurs in GC generally start from the beginning of the bar. Therefore, in the main text we suggest a slur running from the beginning of the bar. The slur of EE1, in spite of having been printed most probably on the basis of Chopin addition in the base text, is certainly incomplete and most probably inaccurate (see the note to bar 137), whereas its placement over the top stave is probably related to the applied in this edition graphical layout, in which, from the 2nd beat in bar 134, the part of the R.H. is written entirely on the top stave (cf. bars 96-100). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Authentic corrections of EE |
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b. 137
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The continuous slur in EE is probably a result of a misunderstanding, related to the adjustment of the slurs to the changed graphical layout – cf. the note on slurs in bars 132-137. In the main text, we give hence the beginning of the slur after GC (→GE). See also bars 140-141. category imprint: Differences between sources issues: EE inaccuracies , Authentic corrections of EE |
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b. 139-141
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Three staccato dots in bars 139 and 141 are present only in FE (→EE). Their absence in GC (→GE) may be explained with an inaccuracy of the copyist or their addition in [A] after the copy had been already prepared. In EE the three dots were completed with another two in bar 141, which, according to us, is an arbitrary decision of the engraver, related to the shift of the 1st chord in the R.H. to the top stave. category imprint: Differences between sources |
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b. 140
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of the c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Uncertain notes on ledger lines , Errors of GC |
in 
before this note, which has to be considered to be justified. However, the comparison with analogous bar 171, and, above all, the change introduced – probably by Chopin – in 
