Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 35, Sonata in B♭ minor, Mvt III
Sources
- Gutmann's Copy
- Autograph fragment of March
- French edition
- First French edition
- Second impression of FE
- Third impression of FE
- Fourth impression of FE
- Scherbatoff Copy
- Stirling copy
- Dubois copy
- Second French edition
- German edition
- First German edition
- Second German edition of March
- Corrected impression of GE
- English edition
- First English edition
- Revised impression of EE1
EE2 - Revised impression of EE1
| Publisher: | Wessel & Co. |
| Date: | ca 1856-1860 |
| Plate number: | W & Co.No. 3549. |
| Title: | Sonate || Marche funèbre |
| Dedication: | None |
A later impression of EE1, in which a number of changes was introduced, i.a., on the basis of GE2mar, e.g., addition of dynamic signs, mostly hairpins, as in bar 8.
Other changes were most probably drawn from FE4, e.g., addition of Lento in bar 1. Other could have been noticed both in GE and in FE4, e.g.:
-
addition of
signs in bars 11-12; -
restoration of a
1 at the end of bars 37 and 53.
Among other changes introduced in EE2 one can mention routine additions of accidentals. There are also completely arbitrary revisions, e.g., change of 
to 
in bar 61.
The copy presented in mUltimate Chopin comes from a later (ca 1868) impression, endorsed already by Wessel's successor, the Ashdown & Parry company – see the 1st mov. of the Sonata.
| Original in: | Royal Academy of Music, Library, London |
| Shelf-mark: | Reserve 51 Chopin |