Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt III
Sources
- Gutmann's Copy
- Autograph fragment of March
- French edition
- First French edition
- Second impression of FE
- Third impression of FE
- Fourth impression of FE
- Scherbatoff Copy
- Stirling copy
- Dubois copy
- Second French edition
- German edition
- First German edition
- Second German edition of March
- Corrected impression of GE
- English edition
- First English edition
- Revised impression of EE1
FE4 - Fourth impression of FE
| Publisher: | E. Troupenas et Cie |
| Date: | 1840-1841 |
| Plate number: | T. 891 |
| Title: | Sonate || Marche |
| Dedication: | None |
The latest impression in whose creation Chopin certainly participated. Among the introduced changes one can mention:
-
addition of a
raising g
1 to g1 in bar 40; -
addition of f in the chord in bar 76;
-
change of d to B in the last chord of Marche.
According to us, Chopin's authorship is likely in bar 76, however, the change in the last chord of the piece may raise some doubts.
The copy presented in mUltimate Chopin comes from a later reprint of FE4, performed in the 1850s by the Brandus et Cie company, which purchased rights to a few works by Chopin from Troupenas. The only difference is the addition of the editorial number of the new owner B. et Cie 6475 and information about the printing house F. Benoit, Grav.-Impr in the footer.
| Original in: | The Fryderyk Chopin Museum, Warsaw |
| Shelf-mark: | MC/220 |