Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt III
Sources
- Gutmann's Copy
- Autograph fragment of March
- French edition
- First French edition
- Second impression of FE
- Third impression of FE
- Fourth impression of FE
- Scherbatoff Copy
- Stirling copy
- Dubois copy
- Second French edition
- German edition
- First German edition
- Second German edition of March
- Corrected impression of GE
- English edition
- First English edition
- Revised impression of EE1
FE1 - First French edition
| Publisher: | E. Troupenas et Cie |
| Date: | V 1840 |
| Plate number: | T. 891 |
| Title: | Sonate || Marche funèbre |
| Dedication: | None |
The earliest known impression of FE whose copy was deposited by the editor in the Library of the Conservatoire de Paris as an obligatory deposit. No title chart and a significant number of mistakes (several dozen – cf. 1st mov.) suggest that it was one of the trial copies, still before proofreadings. In Marche the most significant mistakes include:
-
no
in bar 18 and analog. and 40 and 78; - erroneous pitch of the trilled minim in bar 20 and analog.;
-
d
2-c2 instead of c2-b1 in the 1st half in bar 45; - no middle notes of the chords in the R.H. in bar 71;
-
no f on the 4th beat of bar 76;
- no indication of trill in bar 82.
FE1 was based on the same autograph of Chopin which was previously the base of GC.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Ac. p. 2683 |