Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Compositions
0
Op. 25 No 4, Etude in A minor
Sources
- Autograph
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE1 - First German edition
| Publisher: | Breitkopf & Härtel |
| Date: | X 1837 |
| Title: | Douze Etudes || 4me Etude |
| Dedication: | Madame la Comtesse d'Agoult |
GE1 is based on FC and it generally carefully recreates the text of the basis. The differences can be explained with inaccuracy or manner of the engraver, e.g.:
-
instead of 
at the beginning of the piece, -
moved
in bar 7, shortened signs in bars 47-48, -
erroneous
in bar 15, - end of the slur in bars 18 and 50, combining the slurs in bars 30-31,
- omitted g note in bar 37,
- c2 instead of e2 in bar 49,
-
sign in bar 58.
The following are certainly editorial revisions:
- wedge added in bar 9;
-
addition of necessary accidentals, e.g., flats in bars 23-26, 31 and 33 or
in bar 46; - addition of cautionary naturals in bars 7 and 15, as well as in 26 and 46;
- moving dynamic hairpins between staves, e.g., in bar 18 and 35-38.
In spite of quite an accurate revision of accidentals, not all inaccuracies were detected in GE1 – two a
in bar 22-23 and e1 in bar 25.
| Original in: | Biblioteka Uniwersytetu Mikołaja Kopernika, Toruń |
| Shelf-mark: | IV 120/1 |