Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 4, Etude in A minor
Sources
- Autograph
- Fontana's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE3 - Revised impression of EE2
| Publisher: | Wessel & Co. |
| Date: | ca 1858 |
| Title: | Douze Etudes || No. 16 |
| Dedication: | Mme. la Comtesse d'Agoult |
EE3 returned the overlooked dedication in EE2, placing it over the musical text of the 1st page of the Etude in A
major, No. 1. Among the changes in the musical text, additions of accidentals prevail, also of cautionary, e.g., a 
before G in bars 7 and 15, 
lowering a to a in bar 21 and a few further in bars 24-25, as well as dynamics, e.g., in bars 39-40, 44-46, 50, 52-53 and 55. A slur in bar 27 was also completed. Convergence of a number of these additions with the text of GE1 and GE2 suggests that at the time of revision a copy of an impression of the first German edition (probably GE1) was used.
| Original in: | Trinity College Library, Dublin |
| Shelf-mark: | Prout O.69 No. 2 |