Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 2, Etude in F minor
Sources
- Autograph of a fragment
- Presentation Autograph
- Copy for Delfina Potocka
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
FE1 - First French edition
| Publisher: | Maurice Schlesinger |
| Date: | X 1837 |
| Title: | Etudes || 2me Étude |
| Dedication: | Madame la Comtesse d'Agoult |
The base text for FE1 was a manuscript (lost), in the most important issues close to GC, yet in many details (e.g., slurs, pedalling, range of dynamic hairpins) clearly independent from it. According to us, it was most probably [A], or its second copy, corrected and completed by Chopin.
FE1 was most probably corrected by Chopin, although in this Etude it is hard to indicate a place with visible traces of corrections. However, one can suspect Chopin interventions in the case of the dynamic hairpins in bars 14-15 and 43-44, or pedalling in bars 17, 36 and 40 (this type of indications, absent in GC and EE could have been however added still in the base text to FE).
FE1 is not free from more or less obvious errors, out of which the most significant are the erroneous 
(a1) instead of 
(a
1) in bar 44, and devoid of accidentals version of bar 56 (non-corrected Chopin's mistake in [A]).
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Rés. F. 1580 |