Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
Sources
- Earlier autograph
- Autograph
- Copy for Delfina Potocka
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE3 - Revised impression of EE2
| Publisher: | Wessel & Co. |
| Date: | ca 1858 |
| Title: | Douze Etudes || No. 13 |
| Dedication: | Mme. la Comtesse d'Agoult |
EE3 returned the dedication, overlooked in EE2, placing it over the note text on the 1st page of the Etude. Among the changes in the note text it is the additions of accidentals that prevail, both necessary (the flats returning e
2 and e1 in bar 6 or the 
raising d1 in the R.H. to d1 in bar 24) and cautionary ( before the first g1 in bar 23). Quite a numerous group is constituted by added signs of a reminding character, actually unnecessary, e.g., repeating before the notes on the 4th beat in bar 22 signs used already in this bar; similarly in bar 23.
Some of the introduced changes, e.g., the 
added in bar 12, indicate it was probably GE1 that was the basis for the revision.
Despite numerous additions and corrections, certain errors remained unnoticed – d1 in bar 20, as well as missing naturals before d1 in bar 22 (in the R.H.) and 23 (both).
| Original in: | Trinity College Library, Dublin |
| Shelf-mark: | Prout O.69 No. 2 |