Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
Sources
- Earlier autograph
- Autograph
- Copy for Delfina Potocka
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE3 - Revised impression of GE2
| Publisher: | Breitkopf & Härtel |
| Date: | 1856⇒ |
| Title: | Douze Etudes || Étude I |
| Dedication: | Madame la Comtesse d'Agoult |
The revisers of GE3 aimed at checking the text of A. On the basis of it, a few changes were performed, partly ignoring Chopin proofreading of GE1a, e.g., in bars 4, 7, 12 and 21.
Superimposing the changes whose effect is GE3 on the text of GE2 was theoretically possible soon after the release of GE2, hence more or less from 1856. The possibility seems to be confirmed by EE3, dated around 1858, in which the changes introduced in GE3 were possibly included. On the other hand, a similar revision of the text with reference to the original manuscript base text was also performed in many others Chopin editions of Breitkopf and Härtel (e.g., in Op. 24, 27, 29), published in the 1860s. Therefore, it would be natural to adopt that GE3 was also prepared more or less at that time.
| Original in: | Biblioteka Narodowa, Warsaw |
| Shelf-mark: | Mus.III.63.590/1 |